Ludwig van Beethoven was a steroid abuser.
Wouldn't that explain an awful lot? The notoriously difficult personality? The megalomanaical fury of the middle period? The wild mood swings of the late period? The rather remarkable growth of his head? Dude's head went from normal to huge. Not to put too fine a point on it:
Barry Bonds in 1986; Barry Bonds in 2007.
Beethoven in 1801; Beethoven in 1818.
How's that for circumstantial evidence? I will also point out the original words to the finale of the Ninth Symphony (NOTE: not actual original words to the finale of the Ninth Symphony):Let's review, shall we?
Deine Zauber binden wieder,
Alle Sachen das Erhell'n;
Alle Menschen werden Brüder,
Mit ihren großen Muskeln.Your magic frees all others,
The brightening of all things;
All men become brothers,
With their huge muscles.
BEFORE | AFTER |
Little head | Enormous head |
Awkwardly friendly | Cranky and temperamental |
Symphony no. 1 | Symphony no. 5 |
I think this refutation of evidence of direct influence is not all that important, for the relation... is much more exciting than a matter of provable evidence of somebody being influenced by this particular thing or that particular thing.Next time: Liszt and crystal meth—of course, you all knew that one already.
4 comments:
You know, the blogosphere could use a crackpot theories day....oh, wait.
In true Bondsian fashion, Beethoven would most likely defend himself against the charge of doping that he 'never injected steroids into my ears'.
Scriabin was obviously a major acid head, what with his color keyboard and the outline of the Mysterium and all.
I will never think of Barry Bonds without a picture of Cranky Beethoven popping into my (smallish) head. That was very, very funny, and you're right, it explains so much.
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