tag:blogger.com,1999:blog-32354680.post2979740380699142088..comments2023-11-03T09:05:31.265-04:00Comments on Soho the Dog: Work songMatthewhttp://www.blogger.com/profile/10936327293692397100noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-32354680.post-25213249541614093852007-10-26T00:04:00.000-04:002007-10-26T00:04:00.000-04:00thanks, for the info.i've been looking for blog li...thanks, for the info.<BR/>i've been looking for blog like this... very useful. Thanks again<BR/><BR/>You've helped me to fill my blog at<BR/><A HREF="http://dog-training-lover.blogspot.com" REL="nofollow">Dog Training</A> with more useful information.marcohttps://www.blogger.com/profile/12960797155311771601noreply@blogger.comtag:blogger.com,1999:blog-32354680.post-45801265221546062302007-10-25T14:09:00.000-04:002007-10-25T14:09:00.000-04:00Remembering Arthur Berger: I studied at Brandeis ...Remembering Arthur Berger: I studied at Brandeis in the late 60s and took more than one class with Berger. I remember the occasion when during a discussion of Mozart’s “Dissonance” Quartet, Berger brought up the attack on the piece by Sarti. With Berger’s r-less accent, the class thought he was talking about Satie. We couldn’t imagine why on earth Erik Satie would attack Mozart’s cross relations. Berger tried to clarify: “No, no, no! Not SAA-tie, SAAH-tie.” When this eventually got straightened out, we then came aground on the word “apotomē” – none of us had heard of it; I don’t think I’ve heard it since. (It seems that Sarti [not Satie] was bothered by Mozart’s ignorance of it.) Hippopotami came to mind. Which is why I always think of a hippopotamus when I hear the second bar of KV 465.Robert F. Joneshttps://www.blogger.com/profile/18217369785155750115noreply@blogger.com